COLLINE | LA BOHÈME | KENTUCKY OPERA | 2022
“Jason Zacher’s solo ‘Vecchia zimarra’ had me so beguiled that I wanted to throw money on to the stage so that he wouldn’t have to do what he’s singing about (don’t want to divulge too much).”
JIMMY | AMERICAN APOLLO (GETER/PALMER) | DES MOINES METRO OPERA | 2022
“In the cameo role of Jimmy, Jason Zacher holds his own as an overly protective chauffeur, serving notice with his handful of vocal exclamations that he possesses a well-focused, forceful bass-baritone.”
PRINCE GREMIN | EUGENE ONEGIN | OPERA IN THE HEIGHTS | 2022
“Prince Gremin, Tatiana's husband, has one aria, an ode to married life, but it's one of the most beautiful in the rep. Jason Zacher sang it with heartfelt conviction and plush tone.”
ANGELOTTI | TOSCA | OPERA IN THE HEIGHTS | 2019
“mention should be paid to bass-baritone Jason Zacher for his fierce revolutionary Angelotti (more of him, please).”
PRINCE GREMIN | EUGENE ONEGIN | OPERA NEO | 2019
“Bass-baritone Jason Zacher communicated the grace and dignity of Prince Gremin, and even though this is one of the classic bass roles of opera, he navigated the Prince’s lowest notes with resonant confidence.”
ALIDORO | LA CENERENTOLA | OPERA NEO | 2019
“…Jason Zacher made a confident, completely unflappable Alidoro, sagely shepherding characters into the sunny happy ending everyone associates with the folk tale and to which both Rossini and Ferretti aspired.”
LA VOCE | IDOMENEO | OPERA NEO | 2018
“Bass-baritone Jason Zacher thundered magnificently as the offstage voice of Neptune”
KROMOW | THE MERRY WIDOW | OPERA NEO | 2018
“Bass-baritone Jason Zacher as Kromow also added his stirring resonance to this trio of admirers.”